Academia Open
Vol 6 (2022): June
Art and Humanities

Artistic Feature of Alisher Navoi's "Farhod and Shirin"
Fitur Artistik "Farhod dan Shirin" Alisher Navoi


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  • Hayitov Shavkat Ahmadovich*,
  • Sayidova Shahruza Sohibovna
Hayitov Shavkat Ahmadovich
Associate Professor(PhD) of Uzbek Language and Literature department Bukhara State University, Uzbekistan *
Sayidova Shahruza Sohibovna
Textual Studies and Literary Source Studies Faculty of Philology Bukhara State University, Uzbekistan

(*) Corresponding Author
Picture in here are illustration from public domain image or provided by the author, as part of their works
DOI: https://doi.org/10.21070/acopen.6.2022.4727
Published June 30, 2022
Keywords
  • Alisher Navoi,
  • Farhod and Shirin,
  • Khamsa Theme,
  • Idea,
  • Image,
  • classical poetics,
  • Hero,
  • Spiritual World,
  • Metaphor,
  • Allegory,
  • Contrast,
  • Talmeeh,
  • Mubolaga,
  • Rhetoric,
  • Fine Arts,
  • Skill,
  • Beauty Analysis,
  • Transmission Example,
  • Khusrav Dehlav,
  • Hizr,
  • Nizami Ganjavi,
  • Abdurahman Jami,
  • Qorun,
  • Faridun,
  • Chin,
  • Qoran
    • ...More
    Less
How to Cite
Ahmadovich, H. S., & Sohibovna, S. S. (2022). Artistic Feature of Alisher Navoi’s "Farhod and Shirin". Academia Open, 6, 10.21070/acopen.6.2022.4727. https://doi.org/10.21070/acopen.6.2022.4727

Copyright (c) 2022 Hayitov Shavkat Ahmadovich, Sayidova Shahruza Sohibovna

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Abstract

Hazrat Alisher Navoi's epic "Farhod and Shirin" discusses many topical issues and universal issues related to the long past, life and future of the XV century. The poet skillfully used the arts of classical poetics, such as tazod (antithesis), talmeeh, tashbeeh, tanosub (the art of proportion), mubolaga (hyperbole), and metaphor, to illuminate these issues and interpret goals and ideas. In Farhod and Shirin, the artistic means of expression served to give a vivid, effective expression of the ideas expressed in the epic, to convey the images clearly and vividly, to ensure the verbal elegance and eloquence of the masnavi verses. The article draws important scientific conclusions by examining the interrelationships between the arts and the imagery in Farhod and Shirin.

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